rowan.depomerai

Rowan de Pomerai
Rowan de Pomerai is an engineer/consultant for the BBC, working in Research & Development on internet connected set top boxes for on-demand TV. I share stuff here; links, photos, thoughts and more. There's more of me at rowan.depomerai.com.
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YouTube Contest Challenges Users To Make A 'Good' Video

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Posted on March 19, 2010.

Viacom taking Google to court for clips that Viacom posted to YouTube? Classy!

From the Viacom vs. Youtube lawsuit:

For years, Viacom continuously and secretly uploaded its content to YouTube, even while publicly complaining about its presence there. It hired no fewer than 18 different marketing agencies to upload its content to the site. It deliberately "roughed up" the videos to make them look stolen or leaked. It opened YouTube accounts using phony email addresses. It even sent employees to Kinko's to upload clips from computers that couldn't be traced to Viacom. And in an effort to promote its own shows, as a matter of company policy Viacom routinely left up clips from shows that had been uploaded to YouTube by ordinary users. Executives as high up as the president of Comedy Central and the head of MTV Networks felt "very strongly" that clips from shows like The Daily Show and The Colbert Report should remain on YouTube.

Viacom's efforts to disguise its promotional use of YouTube worked so well that even its own employees could not keep track of everything it was posting or leaving up on the site. As a result, on countless occasions Viacom demanded the removal of clips that it had uploaded to YouTube, only to return later to sheepishly ask for their reinstatement. In fact, some of the very clips that Viacom is suing us over were actually uploaded by Viacom itself.

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Posted on March 19, 2010.

The whiteboard in my office... Working hard this morning.

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Posted on March 15, 2010.

Popjustice: Another quick thing about BBC radio then we'll be quiet

The BBC's chief operating officer, Caroline Thomson, is in The Guardian today talking to 'media executives' about 6 Music. Her point - sit down before you read this - is that 37-year-olds (37 being the age of 6 Music's average listener) are catered for by commercial radio. She goes on to make some good points about the BBC's critics but Christ alive the idea that everybody aged 37 (or any age) enjoys the same type of music is so ridiculous that it would be funny were it not coming from the mouth of someone who actually has some control over the BBC's new strategy.

You have to admire the spunk of someone who can stand up in front of media execs and claim with a straight face that someone who currently spends all day listening to Broken Bells, Vampire Weekend and French Horn Rebellion (all of whom, we feel compelled to point out here, are shit) on 6 Music will in any way be well catered for by the commercial sector, but let's be serious here: 6 Music's listeners will be no better served by the commercial sector than a man with no arms would be by a lifetime's supply of mittens. This is stated quite clearly in the Steve Lamacq story we linked in today's Newsdump, in which a former operations director (ie bigwig) at GCap Media (now Global, who run Capital, Heart etc) says that "commercial radio can never replicate 6 Music's cultural value – it's not viable for us to do so. We will gain nothing from this closure yet the music industry will lose much".

So that's 6 Music, but the other thing we would like to mention today (and we really will stop banging on about it after this) is that anybody who claims that Radio 1's mainstream output is replicated in the commercial sector is similarly mental. This is where the world's greatest website comparemyradio.com comes up again. Let's compare what Radio 1 played last month with what Capital FM (to pick an example out of the air) played last month.

Most of Radio 1's critics - mainly people who never listen to the station or any other mainstream radio and think Radio 1 is just 24-hour Chris Moyles - simply have no grasp of how the station operates after 7pm, or how well it caters for new music across multiple specialist genres. Even in daytime, taking the playlist into account, Radio 1 is hardly as 'OMG Cheryl Cole' as the station's more clueless critics seem to imagine. As comparemyradio.com puts it:

We're not saying Radio 1 is perfect but, as with 6 Music, its critics should at least know what it is they're criticising because otherwise the whole debate is just a complete shitshow.

 

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Posted on March 10, 2010.

Hey, America! Our draconian copyright law could kick your draconian copyright law’s ass

I’ve always had mixed feelings about the DMCA.

On the one hand, as an author, I like that it gives me a way to stop illegal copies of my work being distributed in the US, so ensuring that I can continue to make a living without having to get a proper job. On the other hand, as an occasional journalist, I hate that it can also be used by trigger-happy lawyers to prevent certain embarrassing documents entering the public domain.

Thus conflicted, it was with some trepidation that I received news from the old country that Gordon Brown’s government is getting ready to enact its very own version of the DMCA. Called the Digital Economy Bill (DEB), the new statute aims – amongst other things – to halt the rising tide of intellectual property theft on the Internet. But unlike the DMCA, its reach won’t be limited to national borders: any site anywhere in the world that’s accessible from the UK needs to obey the law or else it’s liable to find itself blocked from the entire country. I’m not kidding, this is China-level enforcement.

Paul Carr presents some interesting comment on the Digital Economy Bill which the government are doing all they can to push through. Crucially though, he seems to have read it (unlike most moaning commentators), and points out that it isn't as bad as people think. Most important of all, instead of just shouting about it, he suggests constructive improvements! Well worth a read of the full article.

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Posted on March 9, 2010.

David Mitchell: Scandalous Attacks on the BBC


frog

Illustration: David Foldvari

When the Conservatives' deputy chairman, Lord Ashcroft, revealed that his party donations are dwarfed by the sums he's withholding from the nation by tax avoidance, the Tories didn't panic. They decided the crisis didn't require large-scale political fire-fighting – a little squirt would do. But George Osborne's terribly busy these days so they plumped for Michael Gove.

I doubt he was thrilled. Ashcroft is what an old-school Tory might describe as "the sort of chap who wants to run the club but won't pay his subs", the club in this case being Britain. It's a difficult position to defend and interesting that Ashcroft didn't try himself. Maybe he kept saying: "Shut up or I'll buy you!" when he practised TV interviews. That doesn't go down as well on Channel 4 News as it does when booking a table at a busy Belizean restaurant.

Gove did a decent job fielding Jon Snow's questions and then beetled over to the BBC to face Newsnight's Kirsty Wark. Gove's tactic was to keep repeating that the other main parties were bankrolled by men with equally poor senses of civic duty and ignore Wark's point that Ashcroft's role as deputy chairman made his case different. Then, at the end, Gove went on to the attack.

"We'll be watching, Kirsty," he said darkly (although it's not as if he ever sounds like Bagpuss) and then, in a significant tone: "The broader question will be, 'Is the BBC failing in its duty to hold other parties to account?'", leaving Wark to wrap up the interview in a fluster ill-concealed by a pretence of being hurried. Maybe she had the director general screaming in her earpiece: "Tell him we'll get rid of CBeebies if he'll just leave us alone!"

How should Gove's remarks be interpreted? The cheap tricks of a deft debater? The usual politician's paranoia about BBC bias? Maybe it's my own paranoia but I thought he meant: "We're not going to have to take much more of this shit. There are going to be some changes round here."

The next morning, as Mark Thompson announced his plan to close a couple of radio stations, slim down the website, spend less on imported programmes and sport and generally get his tanks off the Murdochs' lawn, and reseed it, he insisted in the Guardian: "The proposed changes are not a piece of politics." Smashing! That means they can't be. If politics were involved, he'd have to say so, wouldn't he? There's probably some sort of law, like with salt in ready meals. But who can blame him for addressing political realities when the Tories are sharpening their knives live on Newsnight?

Over the last two years, as recession and internet have obliterated their profits, the BBC's competitors have conspired to make headlines out of its failings. Not even Katie Price's insatiable thirst for publicity can elicit as much press as the corporation gets while trying to keep a low profile. Every night, it's metaphorically falling out of some nightclub, inadvertently showing its muff.

And the politicians have joined in, as if they genuinely believe this torrent of negative coverage is an expression of public concern rather than corporate envy. This, in turn, forces the director general to court the politicians. Not that he can ever win, as Ed Vaizey, the shadow culture minister demonstrated. When it was first leaked that 6 Music may close, he welcomed it; three days and a Twitter storm later, he said he'd become "an avid listener". What would Thompson have had to jettison to keep him onside for a whole week?

The BBC exists in a nest of paradoxes. First, it's supposed to be impartial yet accountable – impartial politically, but accountable to the licence fee payer. But how is that accountability to manifest itself other than through politicians whom its impartiality should empower it to ignore? Getting people to text in their snow pictures seems to be the current best guess.

Second, it's supposed to provide content that the free market wouldn't otherwise support and not hamper commercial competitors too much, and yet remain popular enough to prevent viewers resenting the licence fee. People, including Thompson last Tuesday, say the BBC should "concentrate on what it does best", but most of us wouldn't pay £142.50 a year just for the Proms and Storyville. We also want Strictly Come Dancing, Football Focus and, in millions of cases, Jonathan Ross.

And third, the licence fee is unfair. It's basically a poll tax (maybe that's why Mrs Thatcher kept it). It would be much fairer to fund the BBC from income tax. But that would destroy its independence and leave its future in jeopardy at every budget. That's why I firmly believe that the licence fee is the only workable system, a fudge though it undoubtedly is.

These contradictions make it very easy to find fault with the BBC and let its critics evade the real question which is, simply: do we want it or not? It's a binary choice, all or nothing. I once came across a very persuasive analysis of organisations (it's from the book Intelligent Leadership by Alistair Mant) which divides them into two categories: bicycles and frogs.

A bicycle is put together from interchangeable parts. You can take a bicycle-like system apart, polish or improve elements and then reassemble it into something that works better. A frog, however, evolved as a whole. If you chop a little bit off, it'll muddle along. And another little bit and another and it'll still be a frog, albeit a less functional one. But finally, with one tiny further change, it will cease to be a frog and nothing you can do will ever put it back together. Well, the BBC is an organisation to melt Miss Piggy's heart.

Its anatomy isn't perfect, as I've discovered while making The Bubble, a BBC news-based panel show with which BBC News has refused to co-operate. But sometimes a frog kicks itself in the head, I suppose – or to characterise BBC News's decision in a way to better reflect how they see themselves in relation to comedy, head-butts itself in the rectum.

I understand why the BBC frustrates the private sector – it makes business much harder for them. But I don't know why they expect the public to care, other than out of concern for the Murdoch and Rothermere families' finances. In all their whingeing, they've consistently failed to point to any other country where, thanks to the unfettered function of a free market, better television, radio and online content are available.

On the contrary, the BBC is the envy of the world. Why are we letting its competitors, and the politicians they have frightened or bought, tell us that we can't keep it as it is?

Great stuff from David Mitchell in the Guardian

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Posted on March 8, 2010.

We got the immersion heater out of our tank :-) Quite broken then...

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Posted on March 6, 2010.

We got the immersion heater out of our tank :-) Quite broken then...

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Posted on March 6, 2010.

Dear Penguin, please don't "reinvent" books

Reading literature makes you a more well-rounded individual." That's what an author told me once. Notice he didn't say "watching literature.

Click the link to tuaw.com and read the whole article - a great take on how Penguin seem to want to use the iPad to decimate their heritage.

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Posted on March 5, 2010.

A day in the life of New York City, in miniature.

Watch in HD, it's much better. Beautiful video of New York, no models involved, just clever shooting techniques.

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Posted on March 4, 2010.
Original theme by Cory Watilo via themes.posterous.com. Modified for rowan.depomerai.